La MaMa Presents Sophia Gutchinov’s Solo Show: Those Who Remained, May 2025

Edward De’Ath Photography

La MaMa presented the world premiere of Those Who Remained, Sophia’s solo show at La MaMa Experimental Theatre Club that was performed May 2025!

Out of the 8 show run, 5 shows were sold out!

Those Who Remained: a multimedia new one-woman play about the transformative limits of love told through indigenous ceremony, modern dating, and confronting one's Italian-Mongolian roots, from a New York voice performed and written by Sophia Gutchinov, past resident artist at La MaMa.

 

These production photos were taken by: Sabine Lola Stock, Rani O’Brien, & Others

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Keep scrolling to learn more about the development of Those Who Remained over 4 years

Placido Carbone & Giuseppe Spuria Photography

Jason F. Vasquez Photography

Sophia received a grant from LMCC, Lower Manhattan Cultural Council for her one woman show, October 2024

Ellie M. Parker Photography

The United Nations Headquarters, General Assembly meeting The Permanent Mission of Mongolia to the United Nations, January 2024

Lower East Side Festival of the Arts, representing La MaMa, First 10 Minutes of Those Who Remained, May 2023, Photos by: Jason F Vasquez

Sophia giving a speech about her Kalmyk tribe’s history of genocide at the New York Arab Festival x Poetry Project, Saint Mark’s Church, April 2024

Lara Atallah Photography

Poetry Electric, Asian Voices for Peace and Unity, The Club at La MaMa, October 2023

“Love on Fire” at Poetry Electric, Second Sex: Beats and Texts, La MaMa April 2022

AAPI Equality Speech, City Hall, April 2021

Jason F. Vasquez Photography

“Your script is lovely and your authenticity is so admirable—every single page reveals a new layer of this beautiful story, continually heartbreaking as it is healing” -Yáya, post-disciplinary artist

Arkha Lama, one of Sophia’s paternal ancestors

Sophia’s grandfather seen here, in the documentary Americans From Djungaria in Color - Kalmyks in the Early 1960s

Sophia’s grandmother is seen here, #12, in a German deportation camp, 1947 (color corrected).